2462 / 18210 · Workshop 5 — 12-Bar Jazz Blues: From Three Chords to a Full Improvisational Language← prev⊞ allnext →
5.60Call-and-response comping
RH plays a chord stab.
Leave space.
RH plays another.
Think like a horn section answering the soloist.
That is much more stylistic than continuous chord pumping.