6458 / 18210 · Workshop 47 — “Freedom Jazz Dance”: Displaced Accents, Motifs That Refuse the Barline, Quartal Harmony, and Making 4/4 Feel Unstable Without Changing Meter← prev⊞ allnext →
47.21Later reduce LH
Once secure:
LH only beat 1.
Then perhaps one bass note per bar.
Then eventually bass may become syncopated too.
But do not obscure every reference layer simultaneously.