6467 / 18210 · Workshop 47 — “Freedom Jazz Dance”: Displaced Accents, Motifs That Refuse the Barline, Quartal Harmony, and Making 4/4 Feel Unstable Without Changing Meter← prev⊞ allnext →
47.30Level 12 — rhythmic quartal punches
Keep C bass.
RH quartal shape attacks according to 3+3+2.
Then use the next quartal shape on the next repetition.
Now:
rhythm repeats
while voicing moves.
The repeated rhythm creates unity.