6528 / 18210 · Workshop 47 — “Freedom Jazz Dance”: Displaced Accents, Motifs That Refuse the Barline, Quartal Harmony, and Making 4/4 Feel Unstable Without Changing Meter← prev⊞ allnext →
47.91Ear Drill — quartal versus tertian
Over C bass compare:
E♭-G-B♭-D
versus:
D-G-C-F.
First: tertian Cm9-type.
Second: quartal/sus/modal.
Learn the color distinction.