6443 / 18210 · Workshop 47 — “Freedom Jazz Dance”: Displaced Accents, Motifs That Refuse the Barline, Quartal Harmony, and Making 4/4 Feel Unstable Without Changing Meter← prev⊞ allnext →
47.6Level 2 — shift the entire grouping
Normally 3+3+2 begins on beat 1.
Now start the same pattern on:
1&.
The accent sequence crosses the barline.
Suddenly the rhythm feels much less predictable.
But the meter did not change.