6466 / 18210 · Workshop 47 — “Freedom Jazz Dance”: Displaced Accents, Motifs That Refuse the Barline, Quartal Harmony, and Making 4/4 Feel Unstable Without Changing Meter← prev⊞ allnext →
47.29Do not ask “what chord is each one?”
Initially, hear:
one shape moving through the mode.
This is exactly the sort of context where vertical chord naming may be less useful than shape + center.