6470 / 18210 · Workshop 47 — “Freedom Jazz Dance”: Displaced Accents, Motifs That Refuse the Barline, Quartal Harmony, and Making 4/4 Feel Unstable Without Changing Meter← prev⊞ allnext →
47.33The 3rd is still the identity switch
Again and again:
- remove 3rd → ambiguity
- add 3rd → chord quality sharpens
This principle survives across functional, modal, blues, and groove harmony.