BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
6729 / 18210 · Workshop 50 — “Nefertiti”: Repetition as Development, Harmonic Motion Under a Fixed Theme, Metric Ambiguity, and Learning to Change the Background Instead of the Melody← prev⊞ allnext →

50.1Begin with the simplest possible motif

We’ll use a generic four-note cell:

G – A – F – E♭

G – A – F – E♭

Do not attach it to any particular copyrighted melody.

Play it slowly.

Repeat exactly.

Again.

Again.

Your job is to resist “improving” it.