BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
6735 / 18210 · Workshop 50 — “Nefertiti”: Repetition as Development, Harmonic Motion Under a Fixed Theme, Metric Ambiguity, and Learning to Change the Background Instead of the Melody← prev⊞ allnext →

50.7Add minimal harmony

Do not block full chords.

Use:

bass

plus one inner voice.

For example, hold E♭ or move it by semitone.

The harmony should emerge from the lines.