6733 / 18210 · Workshop 50 — “Nefertiti”: Repetition as Development, Harmonic Motion Under a Fixed Theme, Metric Ambiguity, and Learning to Change the Background Instead of the Melody← prev⊞ allnext →
50.5Analyze the same first melody note G
Over C: 5.
Over A♭: maj7.
Over F: 9.
Over G: root.
Same note.
Four harmonic identities.
This is the exact principle we have practiced many times—now used as a whole arranging strategy.