6755 / 18210 · Workshop 50 — “Nefertiti”: Repetition as Development, Harmonic Motion Under a Fixed Theme, Metric Ambiguity, and Learning to Change the Background Instead of the Melody← prev⊞ allnext →
50.27Level 15 — same top melody, new bass every repeat
Try a deliberate sequence:
Repeat 1: C bass.
Repeat 2: A♭.
Repeat 3: D♭.
Repeat 4: G.
Then:
C.
That creates large-scale departure and return.
The melody becomes your common thread.