6784 / 18210 · Workshop 50 — “Nefertiti”: Repetition as Development, Harmonic Motion Under a Fixed Theme, Metric Ambiguity, and Learning to Change the Background Instead of the Melody← prev⊞ allnext →
50.56Level 34 — orchestration thinking
Imagine repeated melody played by:
clarinet.
Then:
muted trumpet.
Then:
full brass.
Then:
solo piano.
On piano, simulate this through:
- register
- articulation
- octaves
- voicing thickness
- dynamics
You cannot change actual instrument, but you can imply orchestration.