14268 / 18210 · Workshop 109 — Composing Transitions, Interludes, Introductions, and Codas: How to Connect the Important Parts Without Writing “Filler”← prev⊞ allnext →
109.121Level 94 — final bass timing
Option A: bass tonic arrives with chord.
B: bass arrives first.
C: bass arrives last.
D: bass never reaches root.
Ending character changes substantially.