14314 / 18210 · Workshop 109 — Composing Transitions, Interludes, Introductions, and Codas: How to Connect the Important Parts Without Writing “Filler”← prev⊞ allnext →
109.167Mini-project 2 — Introduction Laboratory
For a 32-bar piece write four intros:
- 2-bar functional
- 4-bar motif-derived
- rubato ambiguous
- groove vamp
Then ask:
Which makes bar 1 of the actual composition sound most inevitable?
Choose based on piece, not intro beauty.