14151 / 18210 · Workshop 109 — Composing Transitions, Interludes, Introductions, and Codas: How to Connect the Important Parts Without Writing “Filler”← prev⊞ allnext →
109.4Possible invariants
Across a transition preserve:
- one pitch
- one interval
- one rhythmic motif
- one bass figure
- one chord
- one articulation
- one register
- one pulse subdivision
- one inner line
You need not preserve all.
Often one strong invariant is enough.