14290 / 18210 · Workshop 109 — Composing Transitions, Interludes, Introductions, and Codas: How to Connect the Important Parts Without Writing “Filler”← prev⊞ allnext →
109.143Level 113 — transition through reinterpretation
One chord begins as:
ending of A
and becomes:
beginning of B.
Example:
Am ends C-major phrase deceptively.
Then:
Am → D7 → G.
Am becomes ii of G.
The transition exists in interpretation rather than added material.