14320 / 18210 · Workshop 109 — Composing Transitions, Interludes, Introductions, and Codas: How to Connect the Important Parts Without Writing “Filler”← prev⊞ allnext →
109.173Happy Birthday modulation transition
Suppose first version is C.
Final version will be D♭.
At transition:
Option 1: hard cut after silence.
Option 2: A♭7→D♭.
Option 3: hold C as common/chromatic leading context? C can become maj7 of D♭, an especially interesting connection.
Sustain C.
Bass moves:
C→D♭.
Now C changes from:
tonic in C
to:
maj7 of D♭.
Beautiful reinterpretation.