BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
271 / 18210 · Module 8 — Piano Accompaniment Patterns: Turning Chords Into Music← prev⊞ allnext →

8.23Pattern switching creates form

You don't have to use one pattern for the entire song.

For example:

Verse:

simple arpeggio

Chorus:

larger bass octaves + fuller chords

Quiet section:

single bass notes

Final chorus:

wide voicings + octave melody

Same harmony can feel like the arrangement is growing.

This is dynamic orchestration on one piano.