BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
403 / 18210 · Module 11 — ii–V–I: The Core Progression of Jazz Harmony← prev⊞ allnext →

11.1Why ii–V–I works so well

In C major:

ii = Dm7

V = G7

I = Cmaj7

Functionally:

predominant → dominant → tonic

So the progression has a very clear trajectory:

prepare → tension → resolve

That is why it feels so natural.