9456 / 18210 · Workshop 77 — Playing *Through* Changes Instead of *On* Changes: Harmonic Landmarks, Guide-Tone Networks, Common-Tone Paths, and Hearing the Form Ahead← prev⊞ allnext →
77.100Apply it to “The Bare Necessities”
This is particularly useful because groove should remain playful.
If you add blues/gospel/New Orleans reharmonizations:
keep the large map simple.
Hear:
tonic area
IV area
dominant/turnaround
home.
Let the bass groove and responses carry complexity rather than forcing the solo to outline every connector chord.