9406 / 18210 · Workshop 77 — Playing *Through* Changes Instead of *On* Changes: Harmonic Landmarks, Guide-Tone Networks, Common-Tone Paths, and Hearing the Form Ahead← prev⊞ allnext →
77.50Level 27 — dominant chain as one long line
A7→D7→G7→C.
Instead of separate dominant scales:
use guide path:
G→F♯→F→E.
Now decorate around it.
This is one of the clearest examples of harmonic compression.