BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
9406 / 18210 · Workshop 77 — Playing *Through* Changes Instead of *On* Changes: Harmonic Landmarks, Guide-Tone Networks, Common-Tone Paths, and Hearing the Form Ahead← prev⊞ allnext →

77.50Level 27 — dominant chain as one long line

A7→D7→G7→C.

Instead of separate dominant scales:

use guide path:

G→F♯→F→E.

Now decorate around it.

This is one of the clearest examples of harmonic compression.