9405 / 18210 · Workshop 77 — Playing *Through* Changes Instead of *On* Changes: Harmonic Landmarks, Guide-Tone Networks, Common-Tone Paths, and Hearing the Form Ahead← prev⊞ allnext →
77.49This creates voice-leading awareness
A dominant's most exciting notes often derive meaning from where they resolve.
For example:
C♯ of A7
wants:
D.
G of A7
can move:
F.
These local resolutions are more useful than memorizing scale names alone.