9396 / 18210 · Workshop 77 — Playing *Through* Changes Instead of *On* Changes: Harmonic Landmarks, Guide-Tone Networks, Common-Tone Paths, and Hearing the Form Ahead← prev⊞ allnext →
77.40Level 20 — pivot chord awareness
Sometimes one chord belongs naturally to both old and new key.
Example:
Am can be:
vi in C
ii in G? Actually Am is ii in G.
That makes it a possible pivot.
The chord's meaning changes without its notes changing.