9398 / 18210 · Workshop 77 — Playing *Through* Changes Instead of *On* Changes: Harmonic Landmarks, Guide-Tone Networks, Common-Tone Paths, and Hearing the Form Ahead← prev⊞ allnext →
77.42Level 21 — phrase through pivot
Do not stop when key interpretation changes.
Keep motif.
Over Am:
phrase begins in C context.
D7 enters:
motif adapts.
G arrives:
same phrase resolves.
One musical thought crosses the modulation.