9371 / 18210 · Workshop 77 — Playing *Through* Changes Instead of *On* Changes: Harmonic Landmarks, Guide-Tone Networks, Common-Tone Paths, and Hearing the Form Ahead← prev⊞ allnext →
77.15Level 6 — two-chord packet
Dm7→G7.
Instead of separate scales, choose one target:
B on G7.
Start Dm7 phrase:
F-E-D-C.
Then:
C→B on G7.
The entire ii–V becomes one sentence.