656 / 18210 · Module 15 — Chromatic Harmony, Borrowed Chords, and Modal Interchange← prev⊞ allnext →
15.25Chromatic mediants are not the same as secondary dominants
Important distinction.
E7 → Am
has strong functional direction.
E7 is dominant of A.
But:
C → E major
may simply be a chromatic color shift.
So secondary dominant:
function-driven
Chromatic mediant:
often color-driven
Both can involve chromatic notes, but for different reasons.