660 / 18210 · Module 15 — Chromatic Harmony, Borrowed Chords, and Modal Interchange← prev⊞ allnext →
15.29Make the chromatic line explicit
Keep a top or inner note:
G – G♯ – A – A – A♭ – G
and harmonize:
C – E7 – Am – F – Fm – C
Now the progression feels much more intentional because the chromatic line is audible.