672 / 18210 · Module 15 — Chromatic Harmony, Borrowed Chords, and Modal Interchange← prev⊞ allnext →
15.41Don't judge chords only by root movement
Two roots may look unrelated, but upper voices may connect beautifully.
This is one reason piano voicing matters so much in chromatic harmony.
A badly voiced borrowed chord can sound abrupt.
A well-voiced one can sound inevitable.