661 / 18210 · Module 15 — Chromatic Harmony, Borrowed Chords, and Modal Interchange← prev⊞ allnext →
15.30Borrowed chords can support melody notes outside the key
Suppose you're in C major but melody has A♭.
Instead of treating it as a passing accidental, maybe harmonize with:
Fm
or:
A♭
Now the melodic chromatic note becomes a chord tone.
This is a very useful reharmonization principle:
A surprising melody note can suggest a borrowed chord.