658 / 18210 · Module 15 — Chromatic Harmony, Borrowed Chords, and Modal Interchange← prev⊞ allnext →
15.27Another powerful chromatic line: 5 → ♯5 → 6
Try:
C → E7 → Am
We already know:
G → G♯ → A
Scale-degree idea in C:
5 → ♯5 → 6
This is secondary-dominant voice leading.
Borrowed iv gives:
6 → ♭6 → 5
So now you have two opposite chromatic lines:
G → G♯ → A
and:
A → A♭ → G
These are extremely useful arranging devices.