BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
4995 / 18210 · Workshop 32 — “Naima”: Pedal Points, Slash Chords, Upper-Structure Harmony, and Hearing Vertical Color Over a Stable Bass← prev⊞ allnext →

32.103Mini-composition exercise

Write 12 bars.

Rules:

  • no more than four distinct RH chord shapes
  • bass must create at least half of the harmonic change
  • one pedal must last at least three bars
  • one melody note must remain unchanged across three harmonies
  • one sus sonority must never resolve
  • one sus sonority must eventually convert to a conventional dominant

This forces you to control ambiguity versus function deliberately.