4959 / 18210 · Workshop 32 — “Naima”: Pedal Points, Slash Chords, Upper-Structure Harmony, and Hearing Vertical Color Over a Stable Bass← prev⊞ allnext →
32.67Level 29 — improvisation over slash harmony
Do not choose a new scale for every symbol immediately.
First identify:
- bass center
- upper triad
- common tones
- melody target
Then build from those notes.
This is often enough.