4958 / 18210 · Workshop 32 — “Naima”: Pedal Points, Slash Chords, Upper-Structure Harmony, and Hearing Vertical Color Over a Stable Bass← prev⊞ allnext →
32.66Level 28 — pedal versus changing root ambiguity
Sometimes a repeated bass note psychologically becomes a pedal rather than “root of every chord.”
That distinction matters.
If E♭ sits under four unrelated upper structures:
do not necessarily name them all as giant E♭ chords.
You can simply hear:
upper harmonies over E♭ pedal.
Theory should reflect the most useful perceptual model.