4926 / 18210 · Workshop 32 — “Naima”: Pedal Points, Slash Chords, Upper-Structure Harmony, and Hearing Vertical Color Over a Stable Bass← prev⊞ allnext →
32.34Top-down voicing becomes essential
Procedure:
- melody
- bass
- determine what melody means against bass
- add one or two inner notes
Do not begin by grabbing a five-note chord.