4964 / 18210 · Workshop 32 — “Naima”: Pedal Points, Slash Chords, Upper-Structure Harmony, and Hearing Vertical Color Over a Stable Bass← prev⊞ allnext →
32.72Level 33 — motif transposition instead
Alternatively, when bass changes:
transpose motif to preserve the same interval relationship to the new bass.
Now both harmonic and melodic world relocate together.
You should be able to choose either technique.