4937 / 18210 · Workshop 32 — “Naima”: Pedal Points, Slash Chords, Upper-Structure Harmony, and Hearing Vertical Color Over a Stable Bass← prev⊞ allnext →
32.45Level 16 — functional or coloristic?
Ask of any slash sonority:
Does it strongly point somewhere?
If yes: it may participate in functional harmony.
If not: it may simply be color over a pedal/bass line.
Do not assume slash chord = nonfunctional.
Context decides.