4944 / 18210 · Workshop 32 — “Naima”: Pedal Points, Slash Chords, Upper-Structure Harmony, and Hearing Vertical Color Over a Stable Bass← prev⊞ allnext →
32.52This is an arranging gold mine
A simple melody may allow one RH shape to remain while bass descends.
Result:
- smooth hands
- strong bass line
- sophisticated changing harmony
Very efficient.