4943 / 18210 · Workshop 32 — “Naima”: Pedal Points, Slash Chords, Upper-Structure Harmony, and Hearing Vertical Color Over a Stable Bass← prev⊞ allnext →
32.51Analyze afterward
C/D: D9sus-ish.
C/C: C major.
C/B: Cmaj7/B-type inversion/color.
C/A: Am7.
One stationary upper triad creates a complete progression simply through bass reinterpretation.