BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
114 / 18210 · Module 4 — Triads, Inversions, and Voice Leading← prev⊞ allnext →

4.28Avoiding parallel thinking

For now, don't worry about traditional counterpoint rules like forbidden parallel fifths.

Those rules matter in certain styles, but they're not our main objective.

Our practical priority is:

  • smooth motion
  • clear harmonic function
  • melody on top
  • good register
  • pleasing bass line

Later, when we study counterpoint, we'll become more precise.