9.21ii–V–I with guide tones
Use C major.
Dm7:
F C
G7:
F B
Cmaj7:
E B
Notice:
Dm7 → G7:
C → B
F stays
G7 → Cmaj7:
F → E
B stays
This is nearly ideal.
Play those two-note shapes repeatedly.
You are training the skeleton of jazz harmony.
Use C major.
Dm7:
F C
G7:
F B
Cmaj7:
E B
Notice:
Dm7 → G7:
C → B
F stays
G7 → Cmaj7:
F → E
B stays
This is nearly ideal.
Play those two-note shapes repeatedly.
You are training the skeleton of jazz harmony.