8044 / 18210 · Workshop 64 — Pentatonic Superimposition: One Five-Note Shape, Many Harmonic Meanings, Modern “Outside” Color, and Improvising Without Sounding Like a Scale Exercise← prev⊞ allnext →
64.14Pentatonic sequencing
Take three-note cell:
C-D-E.
Then another cell from the same collection:
G-A-C.
Then:
E-D-C.
The shape itself gives larger intervals automatically because the pentatonic has gaps.