8061 / 18210 · Workshop 64 — Pentatonic Superimposition: One Five-Note Shape, Many Harmonic Meanings, Modern “Outside” Color, and Improvising Without Sounding Like a Scale Exercise← prev⊞ allnext →
64.31Compare with Workshop 63
We used:
A♭ minor + B♭ minor triads
over G7alt.
Now we compress even further:
B♭ minor pentatonic alone provides an excellent altered color reservoir.
Different mental interface.
Same harmonic language.