8123 / 18210 · Workshop 64 — Pentatonic Superimposition: One Five-Note Shape, Many Harmonic Meanings, Modern “Outside” Color, and Improvising Without Sounding Like a Scale Exercise← prev⊞ allnext →
64.93Ear Drill — sus identity
C bass.
B♭ major pentatonic.
Then add E.
Can you hear the exact moment suspended ambiguity becomes explicit dominant quality?