8051 / 18210 · Workshop 64 — Pentatonic Superimposition: One Five-Note Shape, Many Harmonic Meanings, Modern “Outside” Color, and Improvising Without Sounding Like a Scale Exercise← prev⊞ allnext →
64.21A very useful practical rule
Major/minor pentatonics are not merely associated with their named roots.
Learn to ask:
What does this pentatonic become over the actual bass?
That is much more powerful.