8126 / 18210 · Workshop 64 — Pentatonic Superimposition: One Five-Note Shape, Many Harmonic Meanings, Modern “Outside” Color, and Improvising Without Sounding Like a Scale Exercise← prev⊞ allnext →
64.96Apply it to “Mack the Knife”
During classic swing choruses:
keep melody straightforward.
During solo:
C-major areas: use C major pentatonic.
For more modern tonic color: D major pentatonic over C.
Dominants: altered pentatonic fragments.
Then return to the original melody with ordinary swing vocabulary.
This is an excellent way to make one solo chorus sound contemporary without modernizing the entire arrangement.