8059 / 18210 · Workshop 64 — Pentatonic Superimposition: One Five-Note Shape, Many Harmonic Meanings, Modern “Outside” Color, and Improvising Without Sounding Like a Scale Exercise← prev⊞ allnext →
64.29Pentatonic #3 — minor pentatonic a minor third above a dominant
Now we enter altered-dominant territory.
Take:
B♭ minor pentatonic
B♭ D♭ E♭ F A♭.
Put:
G bass.
Functions:
B♭ = ♯9 D♭ = ♭5/♯11 E♭ = ♭13 F = ♭7 A♭ = ♭9.
Notice what's missing:
B = 3.
But if LH/middle voice supplies B:
you have almost the entire altered-dominant color.