8066 / 18210 · Workshop 64 — Pentatonic Superimposition: One Five-Note Shape, Many Harmonic Meanings, Modern “Outside” Color, and Improvising Without Sounding Like a Scale Exercise← prev⊞ allnext →
64.36Level 11 — ordinary versus altered dominant
G7→Cm.
First solo using:
G major-ish/chord tones.
Then:
B♭ minor pentatonic over G7.
Resolve.
Hear:
inside dominant
versus:
altered dominant.
The difference should be unmistakable.