8107 / 18210 · Workshop 64 — Pentatonic Superimposition: One Five-Note Shape, Many Harmonic Meanings, Modern “Outside” Color, and Improvising Without Sounding Like a Scale Exercise← prev⊞ allnext →
64.77Don't combine them into one eight-note soup
Keep phrase identity.
Major phrase.
Minor phrase.
Resolution.
That way the blues ambiguity is audible rather than generic chromaticism.