BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
8352 / 18210 · Workshop 67 — Bass-Line Reharmonization: Creating New Harmony by Designing the Bass First← prev⊞ allnext →

67.24Level 11 — slash chords as bass design

Instead of thinking:

G/B

C/E

F/A,

think:

I want bass line B-E-A.

Then choose chord colors above.

Slash chords become a way of preserving a designed bass contour.