8331 / 18210 · Workshop 67 — Bass-Line Reharmonization: Creating New Harmony by Designing the Bass First← prev⊞ allnext →
67.3Chromatic approach
Bass:
D♭ → C
Harmony:
D♭7 → C.
You already know this as tritone-sub dominant.
But from today’s perspective:
the bass line D♭→C came first.
Then we found a chord that supports it.